From: Robert M Ochshorn <email@example.com> Date: Sun, 20 Mar 2016 08:36:41 -0400 Subject: notes on intimacy Bcc: Research Gallery To: Shriram
It was such pleasure to meet you this weekend. I’m not an experienced instructor, but your tendency towards the concrete (“sweeps”) and your interleaving of the conceptual resonated with my experiences working and (occasionally) teaching.
As promised, here are the notes (link) from the talk I gave. I’m only just starting to think through the implications of “intimacy” and how it rubs against the dogma of our field (which is so caught up in the frame of automation), so would appreciate any thoughts you have.
Finally, I will be in Providence speaking in MCM on April 13 at 11am. I’ll send you more details as I have them, and perhaps we can meet up sometime in the afternoon.
notes on intimacy
robert m ochshorn, “tools for thought,” recurse center, 2016-03-19
In correspondence with Michael and Joe leading up to this event, I started latching onto the term “intimacy” from an interview that Michael sent with mathematician Alain Connes, where he said, in reference to a very hairy mathematical situation:
We first went back to check again these terms and realized after a while that the reason why their signs were wrong was quite subtle : we had made a conceptual mistake in doing the computation and had forgotten some crucial terms in the differential operators below the sub-principal symbol! At that point I convinced myself that we could never find this subtle correction without the intimate knowledge of all the terms of the formula which only the slow computation “by hand” could give us…
I believe that intimacy is vital to all manner of human endeavors, and that a crucial and deficient element of human activity in the 21st century is to shape our intimacies, and, paradoxically, by doing so to shape ourselves. Choosing, as Feynman and Connes do, to cultivate an intimacy with numbers means acknowledging that “there is more than just 0 and 1”—that the principles alone will not suffice, and that the details, the specific, hold all meaning.
Joe encouraged me to develop the concept of intimacy in interface further, so I will try to do so today: first, by pitting it against some forms of abstraction and externalization; second, by holding some of my projects up to the standards of an intimate interface; and finally by sharing four qualities I have identified in intimate interface. The first and last section will be bare of media, while the middle will be explosively packed with it.
Abstraction is a technique to help us forget.
There are many reasons we would want to forget a good many things.
We use terms like “generalization,” “higher level,” “don’t repeat yourself,” “encapsulation,” “business logic,” and “eliminating boilerplate” when what we mean is that we don’t want to concern ourselves with the intimate details of a task at hand.
This would imply that we think of our lives as a dependency graph of tasks to be completed, but I would claim that creative and intellectual work is closer to speaking a language than processing a workflow. Nothing is stable, definitions are circular, every utterance rewrites its every word, insight is a simultaneity of meaning, and profundity comes through the temporal sequence of process rather than the compilation and execution of result.
Generalization is the loss of the individual to the collective, the instance to the class, the particular to the composite. Statistics and surveillance are together entwined—from Sir Francis Galton’s photographic composites to the MIT Media Lab’s Eigenfaces—in an aesthetic blurring of sublime truth and raw bigotry.
Externalization is a method to replace knowing with seeing, a methodology more amenable to oversight than insight.
Consider the hollowness of learning the periodic table without having a deep relationship to its elements. When connected to the depth of particulars, Mendeleev’s table can be understood as a poem, as Primo Levi puts it. But without the concrete, it becomes a smokescreen, a barrier to insight, a dangerous surrogate.
A short history of my work, which I will divide into three phases:
1. compression and immersion
• made interfaces to build my own intuition with then-complex concepts like fft
phasor / sublimation
• spend a lot of time staring at renderings to understand what i can see in them
chewing / live zoom
• for the sort of work that i do, wireframes—even still images—are useless
godard GOD / montage interdit
2. control and illusion
• ZKM video spreadsheet / hilbert video
• augmented augmented human intellect
3. virtual and physical
• “writing” is a core “technology” i’ve been investigating
• “un-designed” interactions hugely valuable
video binder / blue book silver book
• “computation,” essentially, is not happening in a computer
stabs at intimacy
Search, and re-search, must be processes of acquiring intimacy, not abstracting to an outline or de-skilling to a workflow.